Crotalus – Hand Crafted Brazilian Cherry

Following is an excerpt from an article on “A Monk’s Chronicle”, a blog you might like to visit. It explains the wonder and beauty of this unusual liturgical instrument.

Now the vast majority of people haven’t the faintest idea what a crotalus is or what it does. What it is is a wooden clapper.  What it does is wake us up and call us to pray during the 48-hour interval between the Holy Thursday Eucharist and the Easter vigil. During that span the bells of the church fall silent, marking the period of the passion of Christ. Only at the Gloria of the vigil service at Easter do they peal out again in joy.  In the meantime, the crotalus does duty for the bells.

Once upon a time the majority of Catholic Churches used the crotalus during the Triduum, but by and large the crotalus has fallen out of general use, except in monasteries. And so, during this two-day window, the crotalus summons us to prayer with its distinctive wood-on-wood clapping sound. There is no mistaking it, and for monks it is the once-a-year sort of sound that threads the years together. But what gives it a special eloquence is its ability to pierce through the many sounds that pervade the monastery during these holy days.

There’s no denying that the crotalus serves many useful purposes, one of which is quite secular. For those hard-to-shop-for people who seem to have everything, the crotalus is the answer to a prayer. I can almost guarantee that if you give a crotalus this Christmas, they likely won’t have one. And if it deflates their ego that you found something they did not have, it could very well be the wake-up call they’ve been needing.

But in the context of Holy Week, the crotalus serves another useful purpose. Just when spring seems hopelessly out of reach, and just when it seems like we’ve heard it all before, it cuts through the white noise around us. Both the crotalus and the Triduum remind us that, in the dead spots of life, there is resurrection and renewal. And they serve to remind us of one thing that Jesus continues to say to each of us: “Let those who have ears to hear, listen.”

rough cut of the clapboard
Rough cut of the clapboard and the handle hole
Handle Detail
Rough carving of the handle
Cutting the Clapboard
Cutting the clapboard curves on the scrollsaw
initial cutting of parts is complete
initial cutting of parts is complete
Initial Assembly for testing functionality
Initial Assembly for testing functionality
Reinforcement tabs
The reinforcement tabs are glued to the clapboard and the handle and then dowelled for extra strength.
Holes are drilled to receive dowel reinforcement
Holes are drilled to receive dowel reinforcement
Hardwood dowel insertion
Hardwood dowels are inserted into the tab and the handle for extra strength
Installation of reinforcement dowels into the tabs
1 inch dowels are inserted into the tab and the handle for extra strength against the pounding of the hammer
Reinforcement tab with 1 inch glued dowels
Since the nature of this instrument is to constantly pound the top of the clapboard, it will naturally over time be loosened from the handle. To prevent this, reinforcement tabs are glued to the clapboard and the handle and then 1 inch dowel rods are also glued into the handle extending into the tabs.
Bushings, end caps and dowel
The inner workings of the pendulum are the two bushings, the axle rod (hardwood dowel) and the end caps
Reaming the bushings
Here I am reaming out the felt bushings which are applied to the pendulum for smooth operation
Felt bushing glued to pendulum
Felt bushing glued to pendulum
felt bushings glued to the pendulum
Felt bushings glued to the pendulum
receiving a hefty coat of tong oil
Receiving a hefty coat of tong oil
Tong oil finish
A thick coating of Tong oil is left to stand for an hour to penetrate the wood before it is wiped and buffed
final side view
Side view of the finished piece
final top view
Top view of the finished piece
Back View of Crotalus
Back view of Crotalus
final side view 2
Final side view of the finished piece